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The formal record for Chinese Buddhist sculpture appeared
after 200. The first definite record of Buddhist sculpture in Chinese
history was made in the Three Kingdoms Period (220-280), which records
that There is a golden bronze figure of Buddha in Futu Ancestral
Hall.
The extant golden bronze figure of Buddha built in the fourth year
(338) of the Jianwu reign of the Latter Zhao Dynasty is the earliest
Buddha with definite record in China. It also indicates that individual
Buddhist sculptures with a fixed model had been popular by then
in China.
Once introduced into China, figures of Buddha inIndia were altered
according to Chinese aesthetic conception and standard. Figures
of Buddha in the early stage of Buddhist sculpture featured a full
round face, fat and strong body and calm expression. After Emperor
Xiaowen succeeded to the throne, he carried out a policy to promote
the customs of Han nationality and moved his capital to Luoyang
City. Figures of Buddha, influenced by the style of "elegance
and delicacy", featured a thin face and elegant bearing, which
was a combination of the styles of the Southern Wei (420-589) and
Northern Wei (386-581) dynasties with Longmen Grottoes as the representative.
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